Showing posts with label Symbols. Show all posts
Showing posts with label Symbols. Show all posts

Wednesday, May 20, 2009

Symbols from Perfume

Perfume-

·      Perfume acts as a disguise for the sins of humanity as perfume makes you smells good, masking the bad scent of humans

·      Perfume can change how people perceive one another, for example when Grenouille wanted sympathy from others he put on a perfume that “smelled of watery milk and fresh soft wood…Once they caught a whiff of him the market women filled his pockets with nuts and dried pears because he seemed to them so hungry and helpless. “ (Page 190)

·      Grenouille understands the power of scents and perfumes, “Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally.” (Page 82) That’s why he can make the most pure and engulfing perfume by joining the scents of young, beautiful virgins. The scents of all the girls combined make people view Grenouille as this wonderful, innocent person. He wanted to create this perfume to make himself appear virtuous and angelic and thus make people love him.

·      Perfume is an important symbol as it is subtle and over looked but has enormous effects; perfume can act as a mask of perfection. This is what Grenouille makes himself to be by creating the perfume from the odors of all the young girls.

Human Odor-

·      Susking portrays the human odor to smell like “a sweaty-oily, sour cheesy, quite richly repulsive mixture”. The bad scent of humans can represent the sinful nature of humanity.

·      The scent of humans could symbolize the true nature of humans, and as scent of humans is horrible and disgusting it depicts the true nature of humans, sinful and imperfect.

·      Also by humans not being able to smell their own and each others disgusting scents, shows how they are so engulfed in sin that they cannot even recognize it.

Red-haired girl-

·      The red haired girl and the other girls Grenouille murders symbolize innocence and purity

·      They were all young, beautiful virgins, they were not yet tainted by the destructive and sinful nature of humanity

·      They have the most wonderful and indescribable odors that Grenoille has ever smelled, as they are so pure.

Cave-

·      The cave symbolizes Grenouille’s departure from society, he goes there to escape the stench of humanity

·      It is also a place where Grenouille’s olfactory senses are in concord, and for Grenouille because his olfactory senses are at peace, he feels as though he has been reborn. 


Monday, March 23, 2009

Themes, Motifs, and Symbols

THEMES

SURVIVAL:
FOOD
• Since survival is one of the most important issues of camp life, food is very special throughout the story.
• They cherish every bit of bread and meat.
• The men in the prison camp would trade, steal, or even kill for food.
• Shukhov thinks of meal times as sacred moments.
• Throughout using his spoon, he takes control of the meal, making it some way his own.
GOD
• Aleksandr Solzhenitsyn says he agrees with the biblical quotation, “Men do not live by bread alone, but by every word that proceeds out of the mouth of God.” - men need bread to physically survive, but they also need a sustaining spiritual vision.


HUMAN CONDITIONS:
SUFFERING
• The book depicts a life of beating, food deprivation, and harsh weathers.
CRUELTY
• Volkovoi can make irrational demands (Eg. strip men in the freezing cold)
STRUGGLING FOR HUMAN DIGNITY
• No matter how horrible camp life is, their dignity has not been lost.
• Even though he starves, Shukhov still balks at eating fisheyes and men still clean the fish bones from their table as an act of politeness.
• Shukhov finds joy in a job well done.
• They share with those who have less.
• Alyoshka still prays.
• The living conditions are nearly intolerable: mattresses don’t have sheets, they only get 200g of bread per meal, guards force them to undress in the cold (-40°)
• Camp also degrades them spiritually by replacing their names with letters and numbers (Eg. Shukhov = Shcha-854)


THE DESTRUCTION OF HUMAN SOLIDARITY:
• A zek’s main enemy is another zek.
• The author depicts the way in which competition and conflict between prisoners can worsen a prisoner's life.
• A hierarchy that exists between prisoners who work inside and those who work outside the camp prisoners with power (cook, building foreman) abuse that power by taking from and/or punishing other prisoners.
• Prisoners turn against each other to survive.


FINDING FREEDOM:
• Authorities control the prisoners’ entire day.
• They’re not given any choice in what work he does and isn’t paid (but Shukhov takes pride in his work).


UNJUST PUNISHMENT:
• They get convicted of activities that don’t seem criminal to us (Gopchik took milk to freedom fighters hiding in the woods, Shukhov was captured by Germans and then was accused by the Russians of being a spy, and Tyurin was the son of a rich peasant father).
• Shukhov gets into trouble and is threatened with 3 days in the hole for being ill.
• Buynovsky receives 10 days in the hole for trying to bundle up against the cold with a flannel vest.
• The camp treats both as deep violations of the law, worthy of severe punishment.


FAITH:
• Alyoshka reveals that faith can be a means of survival in the camp.
• Shukhov’s interest in Alyoshka’s discussion of God, faith, and prayer marks Shukhov’s expansion beyond his usual thoughts of work, warmth, food, and sleep.
• Shukhov’s sense of inner peace in the last paragraph demonstrates that religious faith offers strength in the face of adversity.


MOTIFS

THE LACK OF PRIVACY
• The Soviet regime makes private events open to public in order to show their power over the individuals. This makes the inmates of the prison camps have no space to call their own, and every move they make is monitored. It is quoted that even walking to the latrine has become a public event, and cannot be made alone. The fact that the prisoners’ names have been replaced by numbers and letters indicate that they are not an individual, but rather symbols in a public system. However, the elimination of privacy is not totally successful, as the prisoners still have possessions. Examples of this are Shukhov’s spoon, Tzar’s package and Alyoshka’s notebook. In an environment where the state is trying to dehumanize the prisoners, each individual try to preserve their humanity by keeping their own private world.



THE COLD
• In this novel, “cold” is represented in different ways, which the prisoners of the camp have to face with. One is the physical manifestation of the coldness with which the leaders of the labor camp treat the prisoners. The other type is the extreme climate in which the prisoners have to work in, and get their body checked. Shukhov have to concentrate on avoiding the punishment, but at the same time, protect himself from the cold.
• The author continuously emphasizes the significance of the extreme weather , which suggests that Shukhov is not only a political prisoner in the labor camp but also a prisoner of nature as well. The combination of the hard camp life and the forbidding weather creates the sense that the whole universe is against Shukhov and his inmates, and that their lives are hindered by both humans and nature. This sense of oppression highlights the suffering of the human conditions, and the fact that they can not escape from the extreme conditions.


CAMARADERIE
• The labor camp is designed to discourage friendship and camaraderie, but many of the inmates form bonds which helps them survive through the difficulty. Even though the inmates come from different countries, social classes, educational backgrounds and are encouraged to spy on one another, they still create trust within each other.



SYMBOLS

THE SPOON:
• The spoon that Shukhov hides in his boot represents individuality. The spoon is not only useful, but it also makes him feel unique because it’s something the other prisoners don’t have.
• The spoon also represents the unjust system of the Gulags that stripped the prisoners of an identity and guiltlessly placed them into forced labor.
• A third representation the spoon makes is Shukhov’s way of surviving without the unrequited help of the guards.
• When Shukhov is cleaning the floor, the narrator makes a special note of the care he takes with his spoon as he removes his boots. “Though he’d made himself ready for the guardhouse in a hurry, he hadn’t forgotten his spoon”. He shows unification between him and the spoon, and protects his spoon just like he would himself because he feels it holds a part of him.



BREAD:
• Bread symbolizes physical and spiritual sustenance. Even though the physical sustenance that bread gives is more important to the prisoners, Alyoshka’s reference to ‘our daily bread’ in the Bible alludes to the spiritual food that bread offers.


TSEZAR’S PARCEL:
• The satisfactory food inside Tsezar’s parcel symbolizes the worldly pleasures in life, because in the camp, hunger controls the prisoners, forcing them to scrounge and beg since those are the only alternatives to starvation.
• The mysterious parcel Tsezar receives from the outside world makes the rest of the camp envy him. Apart from that, Tsezar also gets special privileges from the guards and officers in exchange for a share of his food.
• The name Tsezar is a Russian version of the name Caesar. Alyoshka urges Shukhov to look beyond his life, which is symbolized by Tsezar’s parcel; this is an allusion to the New Testament, where Jesus urged his disciples to “render therefore unto Caesar the things which are Caesar’s; and unto God the things that are God’s,” – pointing out the difference between worldly riches and spiritual well-being.

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